At the Etchings Launch in Embiggen Books reading from Woman on Fire. Photo by Amanda Summons Photography.
It's been a big week and I'm still recovering. I finished university and I am now officially on the path to being a teacher. It feels so amazing to finally have reached this point and have it all behind me and my future as a teacher in front of me.
Last week was marred by a pretty nasty virus that I'm still not completely recovered from so I don't feel like I've had the time to properly take this in or even to celebrate.
However, on Thursday night I managed to go to the Etchings launch which I was so excited about. My memoir piece Woman on Fire is published in the issue and my husband's short story When I am Dead White was also published in the same edition. Such a lovely moment. I managed to do a reading and it was so nice to be a part of the writing community with all these other wonderful writers.
The theme of Etchings is Visual Eyes and so there are two covers for this edition and you can see me posing with both. It's almost like a his and hers version.
Kevin Brophy launched the issue and he said that today a book is becoming an art form and the Etchings journal is the most beautifully produced journal in Australia, and I couldn't agree more. Looking forward to reading the whole issue and finding out what gems await me. To view the issue click here.
Last week was also big because I very ambitiously embarked on Nano. I can only blame it on the illness affecting my mind at the time. I was a Nano success story for three days, and then stopped. It's just not the right time. I'm burnt out from study and dealing with the rather daunting prospect of looking for a job as a teacher. I have survived my first interview, but it was the most nerve wracking experience of my life and I'm still shell-shocked from the stress of it all. I also have some works in progress that I want to dedicate my time to at the moment and just enjoy the process of writing for a few weeks, without putting pressure on myself.
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