AMRA PAJALIC
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      • 13-The Relief of a Late Diagnosis (And Why It Changes Everything) interviewing Lee Agius
      • 14-How He Made a Living as a Street Artist (Without Gallery Gatekeepers) interviewing Lukas Kasper
      • 15-Why trauma makes better writers (And the cost no one admits) interviewing Demet Divaroren,
      • 16-How She Turned a Side Hustle Into a Creative Business, interviewing Nina Nikolic
      • 17-How to Build a Writing Career Without Waiting for Permission, interviewing Koraly Dimitriadis
      • 18-The Skill Most Academics Get Wrong (And Why It Costs Them Opportunities), interviewing Katherine Firth
      • 19-How a Shy Teen Became a Powerlifter (And What It Took to Get There), interviewing Veronica Ho
      • 20-Early Menopause at 40: What No One Warns You About about POI, interviewing Antoinette
      • 21-How to Break the Cycle of Trauma (And Tell the Truth Anyway), interviewing Ruth Clare
      • 22-What Happens When You Change Your Diet—and Your Creativity Follows, interviewing Vicki E. Stergiannis
      • 23-How she quit her job to write full time (and what almost broke her), interviewing P.L. Matthews
      • 24-The solar scam no one talks about (and how it’s costing you money), interviewing Renee Robinson
      • 25-What It Takes to Go Your Own Way (And Build a Creative Life That Works), interviewing Tor Roxburgh
      • 26-How she turned teaching into a business coaching authors, interviewing Kellie Nissen
      • 27-Why most writers aren’t ready to publish (according to a publisher), interviewing Les Zig
      • 28-Writing Through Trauma, Publishing Realities, and Finding Your Voice
      • 29-Writing Historical Fiction in a Changing Publishing Industry
      • 30-Publishing Without Gatekeepers: Freedom, Risk and Reinvention, interviewing ingram spark
      • 31-Why Most People Never Tell the Truth About Their Childhood
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the need to read

16/8/2014

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PictureOne of my 'to be read' piles
Before I was a writer I was reader. Books have always played a role in my life. In my childhood they were a source of wonder. I used to pretend to read books to my brother, but I would make up stories to go along with the pictures. These were my first forays into storytelling and finding my voice.

When I was eight years I went to live in Bosnia where books were harder to get. Children weren’t allowed in the library so I had to state the title and get it handed to me. Reading in Bosnian made me transition into the language and I began writing poetry to work through the alienation I felt during the four years I lived with my grandparents.

When I returned to Australia at 12 years old books were an opportunity to regain my English language skills. I would read with a dictionary beside me, searching the definitions so that I could understand what I was reading. I hadn’t quite figured out how to use the pronunciation symbols in the dictionary and there were a few faux pas when I mispronounced a word, for example the day I used the word melancholy and mispronounced it by articulating the ‘ch’ sound. The only thing that worked for me is that most of my peers didn’t actually know the word itself so it was only the teacher who corrected me.

In my adolescence reading was a much-needed oasis. There was a lot of chaos and angst in my life and books were the place I went to escape. Books gave me an insiders view to worlds I knew nothing about, opened my eyes to the possibilities of my life, and ultimately made me dream and believe that those dreams could come true.

I don’t know if it’s my love of books that made me want to be a writer or if it’s because of my love of writing that I began to first love reading. It’s like the chicken and the egg argument—which comes first, but I always loved stories, telling stories, listening to stories, making up stories.

Now that I’m a writer reading is still a very important part of my life. Most of my life I have read on average one book a week, but in the past few years my reading has slowly been cut back. First because of the changes in my life from motherhood, then the demands of university, using the internet and reading a lot more online, and now because of the demands of being a high school English teacher. With life becoming busier there has become more of this sense that every minute needs to be productive in some way and relaxing has become a challenge.

While this year I have been reading a lot, but most of it has been work related and there is a difference between reading a book for the sheer pleasure and reading a book with a view to deconstructing and teaching it.

The past month I have deliberately made the effort to read a book a week and life has just become more in focus. It’s as if colours have more depth and there is a soundtrack that is continuously playing. My writing is flowing, creating boundaries between work and home is easier, and I don’t have this constant feeling that I should be constantly ‘doing.’ Instead I can have some much needed recovery time by just ‘being.’

While writing is as necessary as breathing, I know realise so is reading. The two are intertwined and one naturally leads to the other so I’m going to keep reading my one book a week and enjoying my technicolour world.

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    Amra Pajalić is an award-winning author, an editor and teacher who draws on her Bosnian cultural heritage to write own voices stories for young people, who like her, are searching to mediate their identity and take pride in their diverse culture. She writes memoir, young adult and romance under the pen name Mae Archer.

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Copyright Amra Pajalic 2026
  • Home
    • Blog
    • About Me
    • Press Kit
    • Za Bosance
    • Resources for Teachers >
      • Remote Learning >
        • Narrative Writing
        • Poetry Writing
        • Fun activities
        • Spelling activities
    • My Newsletter
    • News & Events
    • Book Me >
      • Aspiring writers >
        • Six things writers should do
        • Young Adult Books
        • Writing tips for young people
    • Articles
    • My Books >
      • Seka Torlak Series >
        • Fragments of History
        • The Tree That Stood Still
        • Time Kneels Between Mountains
        • Ghosts Among the Gumtrees
        • Mad Dawn Winter
        • Echoes Among Wattle Pines
      • Young Adult >
        • Cuckoos Song
        • Sassy Saints Series >
          • Sabiha's Dilemma >
            • The Good Daughter
          • Alma's Loyalty
          • Jesse's Triumph
          • Sassy Saints Series Books 1-3
        • The Climb
      • Memoir >
        • Things Nobody Knows But Me
        • Teacher Teacher anthology
        • Growing up Muslim in Australia
        • Meet Me at the Intersection
        • Rebellious Daughters
        • St Albans piece
      • Romance >
        • Dreams of Destiny Romance Series >
          • Hollywood Dreams
          • Vintage Dreams
          • Vengeful Dreams
        • Return to Me
        • Kings of the Bay Romance Series >
          • That One Summer Anthology
      • Dark Fiction Horror >
        • WomanOnTheEdgeShortStory
    • Contact
    • Amra's Writing Room
    • Authorly Advice
    • Podcast >
      • 1-How Writing Residencies Can Change Your Work—and Your Career
      • 2-What No One Tells You About Self-Publishing (Before You Start)
      • 3-Why Most Book Pitches Fail (And How to Fix Yours)
      • 4-How to Keep Writing When You Still Need a Day Job
      • 5-How Short Stories Get You Published (And Open Bigger Doors)
      • 6-Why You’ll Outgrow Your Own Writing (And Why That’s a Good Thing)
      • 7-How to Turn Pain Into Powerful Writing (Without Breaking Yourself)
      • 8-How to Speak With Confidence (Even If You’re Terrified)
      • 9-Why Writing a Good Book Isn’t Enough (And What It Really Takes to Make Money)
      • 10-Why Most Authors Fail at Marketing (And What Actually Works)
      • 11-What It Takes to Turn Pain Into Literature (And Why Most Can’t) interviewing Fikret Pajalic,
      • 12-What no one tells you about reinventing yourself in midlife interviewing Tania Segura
      • 13-The Relief of a Late Diagnosis (And Why It Changes Everything) interviewing Lee Agius
      • 14-How He Made a Living as a Street Artist (Without Gallery Gatekeepers) interviewing Lukas Kasper
      • 15-Why trauma makes better writers (And the cost no one admits) interviewing Demet Divaroren,
      • 16-How She Turned a Side Hustle Into a Creative Business, interviewing Nina Nikolic
      • 17-How to Build a Writing Career Without Waiting for Permission, interviewing Koraly Dimitriadis
      • 18-The Skill Most Academics Get Wrong (And Why It Costs Them Opportunities), interviewing Katherine Firth
      • 19-How a Shy Teen Became a Powerlifter (And What It Took to Get There), interviewing Veronica Ho
      • 20-Early Menopause at 40: What No One Warns You About about POI, interviewing Antoinette
      • 21-How to Break the Cycle of Trauma (And Tell the Truth Anyway), interviewing Ruth Clare
      • 22-What Happens When You Change Your Diet—and Your Creativity Follows, interviewing Vicki E. Stergiannis
      • 23-How she quit her job to write full time (and what almost broke her), interviewing P.L. Matthews
      • 24-The solar scam no one talks about (and how it’s costing you money), interviewing Renee Robinson
      • 25-What It Takes to Go Your Own Way (And Build a Creative Life That Works), interviewing Tor Roxburgh
      • 26-How she turned teaching into a business coaching authors, interviewing Kellie Nissen
      • 27-Why most writers aren’t ready to publish (according to a publisher), interviewing Les Zig
      • 28-Writing Through Trauma, Publishing Realities, and Finding Your Voice
      • 29-Writing Historical Fiction in a Changing Publishing Industry
      • 30-Publishing Without Gatekeepers: Freedom, Risk and Reinvention, interviewing ingram spark
      • 31-Why Most People Never Tell the Truth About Their Childhood
    • Pishukin Press
    • Grant Writing Course
  • My Shop
  • My Substack
  • My Courses